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Oh look! A post about anime. Taka here! Yes I have risen from the depths to once again place a post upon Digitalboy’s humble little blog about Ponies.
Gasp! The light of the viewer’s gaze chars my flesh. I shall be with you but a moment.
In case you have been under a rock…blah blah blah…etc. Anime Intstrumentality is hosting an Anime Music Tourney. The nominations process is over by tomorrow so I submitted mine last minute this morning. Let me tell you, picking 15 songs was hard. I stripped my list of anything I thought was a guaranteed for a nomination (most modern anime music and Cruel Angel’s Thesis/Tank/Higurashi) or if I did I put them low. Mostly I stuck to some older songs I enjoy. So without further ado the list!
Ugh, I should’ve made posts on Ben-to 4 and Fate/Zero 5 this week, but I’ve been lazy about blogging altogether and also that NaNoWriMo things is happening. On that note, you can read my story as I write it over at talesfromthe711.tumblr.com. It’s a series of short stories involving 7-Eleven convenience stores. Meanwhile, omo has been doing great posts on those shows, although not covering what I want to.
Boku wa Tomodachi ga Sukunai gets better every week, proportional to its gain in characters. Watching episode five with a friend was a great idea and I can honestly say I enjoyed this week’s episode. Not that I suddenly think the show is “good” or anything, but here’s where it gets weird: I mostly enjoy this show for the voice acting.
Dantalian no Shoka has been great fun, and watching it inevitably makes me think about Gosick, another light novel-based anime set during the 20s starring a goth-loli. In turn, it also makes me think about the creative voices behind these two adaptions. This post is entirely speculation and fun on my part. It is neither my goal to interpret what the creators of these shows intended, nor to compare the shows in terms of quality.
I love talking about studios, whether I’m giving some less-respected ones the credit they deserve or driving the ones I hate as far into the ground as possible. It’s hard to call Gonzo a less-respected studio because in reality they’ve been one of the best-loved studios in anime for over a decade, but I’ll be giving them some love anyway.
I started off my J.C. Staff post by declaring them a “great” studio. I can’t say that about DEEN. Whereas J.C. Staff has shows that look good even if they suck, DEEN has shows that look like shit even if they’re good. Yet, while I could jump to the conclusion that this makes them a failure as a studio (in cases of adaptions, what good does it do if you don’t supply the most important thing—animation!?), the truth is that DEEN has a lot of good shows, regardless of their failings in animation. The studio even has a number of things going for it that only through watching a lot of their shows would you start to realize are definitive trademarks.
Some of those good points are as follows:
For a long time I’ve wanted to make a post about how great J.C. Staff is, since they get so much shit from the Western anime community in general (though they also get plenty of due respect). Now’s a good time to help raise awareness because a bunch of dumbasses are making top 10 lists of J.C. Staff anime—so I’m jumping into the fray.
It began with a random-ass survey on some Japanese website whose top 10 was then transplanted to Sankaku Complex. Top 50 is long, but since it’s a good way to look at a lot of shows at once, it’s a good way to start this post. Please note that the order of this list is absolutely fucking ridiculous (as in, I can’t fathom how the results came out this way).