Finish or Fail 18 – Durararararararara!!

I knew exactly what I was gonna get from Durarara, and I got just that. Baccano is one of my top 5 anime and enough to have me riding Ryohgo Narita’s cock, so I was excited as hell about Durarara, and it delivered on what I wanted. It didn’t do it as well as Baccano did, but I can hardly blame it for that – Baccano is one of the most tightly written and superbly produced, directed, and acted series of all time. I didn’t expect that lightning to strike twice.

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A New Form of Blogroll, Dedicated to Irreplacable Posts

I grow weary of blogroll convention. You give a list of blogs, and it’s basically just a shout-out to friends. You give an annotated blogroll, but who really cares? How much can you really say in your one little paragraph that actually gives people a sense of the blogger? Not fucking much. I grow weary of this shout-out style of blogroll. I love you guys – you know that. There’s no real meaning in my linking to your blog and trying to say something about it if I don’t really read your blog.

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The NuttBladder Massacre – January 2010

Omo has always wanted to do a list like this, and so have I. I think both of us have taken our frustrations out on the What Are You Watching/Reading This Month threads on Megatokyo for long enough. If he sticks to this monthly, I’m sure I’ll manage to follow. As for what this is a list of, it’s a nuttbladder-breaker list. There’s really no way of explaining that if you don’t understand, though Omo kind of tried. This is for January 2010.

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Durararararara! (Oops, I stuttered) Episode 2

First things first, I think that Andrew Cunningham’s post on this episode is a must-read, especially if you are interested in how this anime corresponds to the original novels. I am going to try as hard as I can to make this post not end up talking more about things other than Durarara than the show itself, lol.

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I Love Pulp Characters

Many people who have shown disdain for movies made in the past decade or so have made the complaint that there are less memorable characters and especially less memorable villains in modern movies. While I’ve never been a particularly big fan of old movies, I will agree with the sentiment that there were better characters in the past, and it’s not just that they’ve been around long enough to acquire a greater status.

The problem lies with one of the biggest problems that I have with movies that were made in the past decade, which is one that I thankfully predict that we will be moving away from as we enter the next decade. The trend is that people started demanding a misguided ‘realism’ from their movies. To many people, ‘realism’ just seems to mean being excessively dark and edgy, which has lead to a flood of movies that are in no way realistic, but pretend that they are. The problem is that this has lead to movie characters excessively needing ‘humanizing’ qualities. Nowadays, characters have to have some kind of fault or weakness it seems, and I see this as a problem.

The bottom line is, you can only develop a character so much in the span of a movie. Some movies are more successful with it, but if you are making a blockbuster action flick, you’ve got no business trying to make a realistic character. The point is to make one who is unforgettable. In general, I think one way to put it is, it’s not about how many one-liners your character spits (as no doubt modern characters still spit them) but it’s about how badass the last thing the character did before saying the line was.

What I want to see is characters who are beyond reason, beyond weakness, and totally larger than life. I want the villain to be so unstoppably badass that if the hero actually takes them down, it’s only because the hero was even more unstoppably badass. You don’t even have to be making an action film for this to be possible. Quentin Tarantino has consistently made all of his films by filling them with way-larger-than-life characters. Take the recent Inglourious Basterds, wherein face-offs between The Jew Hunter and Aldo the Apache are so big and tense that when the former talks about having the entire war in his hands, you don’t even start to doubt him.

What stirred me to talk about this (and how it ties into anime) is that Ryougo Narita, creator of Baccano! and Durarara!!, is a veritable god of creating memorable characters. He fills his stories with people so otherworldly and amazing that you don’t even feel like normal life stands a chance against them. The clashes between Rail Tracer and Ladd Russo in Baccano! had an enormity about them that was incredible because you felt like this was a true clash of titans. Durarara! has already shown that it will have similar situations, as was felt in the second episode’s meeting between Orihara Izaya and the Dullahan rider. The show uses it’s insane cast and overpowering atmosphere to create a unique and interesting world for things to play out in.

Really, I could say that this is what the Faust-type light novels are all about. Writers like Kouhei Kadono (Boogiepop) and NISIOISIN (Bakemonogatari) are the forefront of modern pulp literature with their dark and overpowering stories about completely incomprehensible characters. I also think that the trend could come back in the US with the success of films like 300 and The Dark Knight, which had almost the ultimate pulp villain, the Joker. (And yes, there were a lot of other super hero films in this decade, but once again, they all tried to humanize the heroes and villains – those are the problems I’m talking about.) I love that movies and anime like these are being made, and I can’t tell you how happy I’d be if the trend came back in full force in the coming decade (which I can see happening.)

Durarara! 1 – From The Glass Twenty Stories High, I Have Watched This City Burn

“Our planet Earth belongs to a vast universe – a universe existing in a 3-dimensional space on a single plane of existence. However, this plane is not the only one – there are a number of parallel dimensions of existence beyond the reach of us. In the singular place where all of these dimensions intersect is a dimensional nexus. The nexus appears in the form of a city – no, a sprawling metropolis. That metropolis is known as The End of the World.

There is no way to ‘find’ The End of the World. It’s place in every dimension is unknown to anyone, and those who find themselves inside the city by accident can never leave. It is truly a melting pot of the random beings of every known dimension as well as the generations of those born within the city whose legacies have long forgotten that there is any world outside.

In this nexus of dimensions, this most enormous of cities, The End of the World, anything can happen. It is here that our story takes place.”

-Tentative Intro to Dark Dreams at the End of the World

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