In philosophy, “the Absurd” refers to the conflict between (a) the human tendency to seek inherent value and meaning in life and (b) the human inability to find any.
Narratively, Space Dandy is, perhaps more than anything, a theater of the absurd. Any time it approaches the illusion of meaning, it is quick to break that down. There are maybe two episodes with clear messages to them, and both are mostly about how life is a pointless repetitive cycle of sitting around. In its second-to-last episode, Dandy has an existential crisis at the realization that he may or may not be the original Space Dandy, but he quickly gets over it when he realizes how pointless it is to keep asking himself. As the opening theme puts it “life is five minutes of introspection.”
The grand finale is one big, epic love story about a vacuum cleaner who falls for a coffee maker, turns into a giant robot, fights a giant battle, wins nothing, and ostensibly kills himself by drinking coffee. He’ll be back in season 2. Whether its in the face of an epic, dramatic struggle full of Bones doing the style of animation they do best and Yoko Kanno providing the moving score that she’s known for, or just in the face of Space Dandy’s crew bumming around, nothing really matters and nothing ever changes. There is no inherent meaning to anything, and Space Dandy is entirely aware of this. It has nothing to prove, really–it’s just a fun show about a dandy guy in space. And its well aware of what it is.