More EDs! These ones missed the first list for one or more of these reasons: I forgot about them; I didn’t want to include two from the same show; I counted it as not awesome enough because I was being a lazy dick; I haven’t actually seen the anime it comes from but know the ED by reputation.
TO MAKE THIS LIST, if I can actually think of how the song or video goes, it’s got a good bet.
A couple of years ago I posted my “top 10 unskippable EDs”—titled that way because I used to skip EDs a lot of the time. Now I don’t do that unless it’s really bad. Anyway, all the embedded videos are broken in the old post and I watched a *lot* of anime in the past two years, so here’s a new list of memorable EDs.
TO BE ON THIS LIST I had to like the ED as a whole, meaning song and video both. There are some ED songs that I liked where the video is unmemorable (think Mawaru Penguindrum’s “Dear Future”—amazing song, boring vid). Some also might be awesomely bad.
These videos are alphabetized by the shows they came from. And no, I have absolutely nothing better to do, and yes, I’m very tired right now.
It’s been said before that Haruhi raised the bar for moe anime, being as it was an ultra high-budget, far-reaching, excellent TV series that was probably the first thing to be all at once so thoroughly moe-centric, so well-produced, and so successful. Haruhi came out in 2006, and since then, there have been many well-produced moe series, especially from the likes of Kyoto Animation, A-1 Pictures, and J.C. Staff (not that everything they do looks as good as Raildex or Toradora). But this post isn’t about how moe anime have gotten all nice-looking and big—it’s about how moe anime are becoming the best-looking stuff on TV, period.
I watch a lot of monthly sakuga AMVs—that is, collections of all the awesome animation tidbits from each month of currently-airing anime. Usually, sakuga AMVs are pretty dominated by shows from studio BONES, which hasn’t been true this season as their only show, No. 6, contains minimal sakuga moments.
So, what shows are putting up the strongest sakuga showings this season? The Idolm@ster (A-1 Pictures), Nichijou (Kyoto Animation), and Hana-saku Iroha (P.A. Works), all moe-heavy shows. The only action show putting up a lot of great sakuga moments is Sacred Seven (Sunrise), which is right up there with The Idolm@ster in quantity of sakuga scenes. But when you watch the videos for July and August, there’s definitely more moe shows with awesome sakuga scenes than anything else. Not to mention all those Usagi Drop scenes of Rin doing cute shit… those count, right?
As a database animal with an eye for details, Sacred Seven is playing hard in my court and letting me believe that it’ll continue doing so. Ghostlightning, a “mecha database animal,” feels the same way, and wrote a post highlighting the show’s appeals to his database instinct. Amazingly, while his coverage was quite extensive, his mental database is different enough from mine—and the show makes enough appeals to both of ours—that I feel I have the material for a companion post.
This post will mostly consist of screenshots. I won’t be covering the ridiculously great sakuga animation because there’s not much to say that you can’t get from watching the ep.
Until I’ve passed the anime’s plot, I won’t be able to read Ushiki Yoshitaka‘s Yumekui Merry without thinking about its adaption. The anime disappointed me quite a bit, to the point that I ragequit near the end (I do plan to finish it sometime, though). The manga makes me happy and sad because it doesn’t suffer the same problems as the anime, which means it also shows how the anime could’ve been better.
Okay! Back in business! I hope you can still remember enough about 2010 anime to enjoy it!
Today, my good friend Schneider of Continuing World will be presenting the award for Best Mecha Design. While I decided on the nominees for this category, Schneider decided to write about all of the nominees himself and choose the winner, so really, this is Schneider’s Acadime Award for Best Mecha Design!
</bait title>. The answer is Kanbe Mamoru, who directed Elfen Lied and was an episode director and storyboarder on 14 episodes of Cardcaptor Sakura. I’ve got a number of posts planned regarding Kanbe because his career fascinates me, but for now I want to talk about his influence on those episodes.
Kanbe worked as episode director on episodes 5, 9, 12, 16, 19, 21, 25, 28, 30, 33, 37, 41, 44, and 48, and he storyboarded all of those except for forty-eight. He performed those two jobs on more episodes than any of the other episode directors (of which there are 24) or storyboarders (of which there are 23) across the 70-episode series.
I’m not dead! I’ll be slowing down, though; I was on a manga binge when I started this blog, doing a post every three days, so I’ll be cutting back significantly with two posts a month—still better than dead, right?
Ookubo Atsushi‘s Soul Eater is one of my favorite manga, but it’s no secret that it’s gone downhill since entering the third major arc. Anime Kritik theorized that Ookubo had generally stopped caring about his story, and before he could take another breath, Soul Eater Not! had been announced.
Sometime between watching episodes 13 and 14, I found out Manticore is played by Hirohashi Ryou and my mind was blown. Up until last year, Hirohashi had usually been playing quiet, reserved-yet-determined types like Tama-chan in Bamboo Blade, Rakka in Haibane Renmei, and Alice Carroll in Aria. As of last year, she burst out with some roles like Shiraishi Lily in Ichiban Ushiro no Daimaou and now Maticore which are totally different and equally lovely. As You Marino, I can more easily tell that it’s her, but when she turns into Manticore it’s like a whole new, sexy person. I love this continuing trend where Hirohashi is my favorite or one of my favorite characters in every show she’s in.