I Love Pulp Characters

Many people who have shown disdain for movies made in the past decade or so have made the complaint that there are less memorable characters and especially less memorable villains in modern movies. While I’ve never been a particularly big fan of old movies, I will agree with the sentiment that there were better characters in the past, and it’s not just that they’ve been around long enough to acquire a greater status.

The problem lies with one of the biggest problems that I have with movies that were made in the past decade, which is one that I thankfully predict that we will be moving away from as we enter the next decade. The trend is that people started demanding a misguided ‘realism’ from their movies. To many people, ‘realism’ just seems to mean being excessively dark and edgy, which has lead to a flood of movies that are in no way realistic, but pretend that they are. The problem is that this has lead to movie characters excessively needing ‘humanizing’ qualities. Nowadays, characters have to have some kind of fault or weakness it seems, and I see this as a problem.

The bottom line is, you can only develop a character so much in the span of a movie. Some movies are more successful with it, but if you are making a blockbuster action flick, you’ve got no business trying to make a realistic character. The point is to make one who is unforgettable. In general, I think one way to put it is, it’s not about how many one-liners your character spits (as no doubt modern characters still spit them) but it’s about how badass the last thing the character did before saying the line was.

What I want to see is characters who are beyond reason, beyond weakness, and totally larger than life. I want the villain to be so unstoppably badass that if the hero actually takes them down, it’s only because the hero was even more unstoppably badass. You don’t even have to be making an action film for this to be possible. Quentin Tarantino has consistently made all of his films by filling them with way-larger-than-life characters. Take the recent Inglourious Basterds, wherein face-offs between The Jew Hunter and Aldo the Apache are so big and tense that when the former talks about having the entire war in his hands, you don’t even start to doubt him.

What stirred me to talk about this (and how it ties into anime) is that Ryougo Narita, creator of Baccano! and Durarara!!, is a veritable god of creating memorable characters. He fills his stories with people so otherworldly and amazing that you don’t even feel like normal life stands a chance against them. The clashes between Rail Tracer and Ladd Russo in Baccano! had an enormity about them that was incredible because you felt like this was a true clash of titans. Durarara! has already shown that it will have similar situations, as was felt in the second episode’s meeting between Orihara Izaya and the Dullahan rider. The show uses it’s insane cast and overpowering atmosphere to create a unique and interesting world for things to play out in.

Really, I could say that this is what the Faust-type light novels are all about. Writers like Kouhei Kadono (Boogiepop) and NISIOISIN (Bakemonogatari) are the forefront of modern pulp literature with their dark and overpowering stories about completely incomprehensible characters. I also think that the trend could come back in the US with the success of films like 300 and The Dark Knight, which had almost the ultimate pulp villain, the Joker. (And yes, there were a lot of other super hero films in this decade, but once again, they all tried to humanize the heroes and villains – those are the problems I’m talking about.) I love that movies and anime like these are being made, and I can’t tell you how happy I’d be if the trend came back in full force in the coming decade (which I can see happening.)

200 (+) Anime Worth Taking With Us Into the Next Decade

100 Characters For 100 Otaku (Part Twenty: 5-1) FINAL

The twentieth and final post in “100 Characters For 100 Otaku.”

oh. my. god.

oh. my. god.

Well, folks, here we are! “The final post in 100 Characters For 100 Otaku!” It’s been a long and crazy ride, exciting every step of the way, but it’s finally time for the whole thing to end. I hope you’ve enjoyed what I sincerely hope will be remembered as my most epic and experimental post series to date (don’t worry, I’ll top this one day!) That being said, let’s cap it all off, baby! It’s time for the top five!!!

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100 Characters For 100 Otaku (Part Thirteen: 40-36)

The thirteenth post in “100 Characters For 100 Otaku.”

The “100 Characters For 100 Otaku” series continues! You know, it’s almost easy to forget that this post series is still a part of the larger “Don’t Fuck This Up” post series. I’m definitely putting my effort into trying not to fuck up, so be sure to call me out at every potential problem, and I’ll edit it right up! Meanwhile, today we have numbers 40 down through 36. Let’s see what they are made of!

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100 Characters For 100 Otaku (Part Twelve: 45-41)

The twelfth post in “100 Characters For 100 Otaku

Are you enjoying the time of “100 Characters For 100 Otaku?” We’ve come a long way, but there’s still a lot more to go! As we wind down, I reflect on shows that have had a character in the beginning, those who have had consistent characters in the list, and those that have yet to arrive. If you’re wondering where someone is, don’t worry – they may be on the way! Now, let’s see what 45 down through 41 have to offer!

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100 Characters For 100 Otaku (Part Six: 75-71)

The sixth post in “100 Characters For 100 Otaku.”

Have you been following “100 Characters For 100 Otaku?” It’s the post series where I go through my top 100 characters and tell you what I like about them, how they mirror the nature of otaku, how they reflect my own otakudom, and how they parallel the first episode of Crest of the Stars! Make sure you keep up, so that you may see how YOUR favorite characters could fall into all this mess! Today’s piece is 75 through 71, so let’s see what we’ve got!

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These People Can't Act!!! Another Example of Dubs Failing Horribly

That is a a fucking horrible accent, please stop insulting my intelligence

That is a a fucking horrible accent, please stop insulting my intelligence

UPDATED: 9/12/09 3:21 PM EST as marked by EDIT

I’m not stating anything in this post as fact. This is just my opinion – but there are NO good dubs. I repeat: THERE ARE NO GOOD DUBS. And by ‘dubs’, I of course mean the term anime fans use to describe the English voice-over of a show originally voiced in Japanese. I will admit, there are ‘acceptable’ dubs out there. There are ‘decent’ dubs. But there are no good dubs, and there is definitely no excuse to only watch a show dubbed.

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