Text version and links:
Text version and links:
I must’ve come to certain conclusions after doing this for as long as I have.
I’ve wanted to write this post forever—doubly so after ghostlightning did it. Being the extreme person that I am, I wanted to go all-out and make some ridiculous list of attractive anime characters which didn’t skimp on details—but I’ll never actually write it. Plus, doing so many characters washes out the impact of how hot they are.
A surprising (read: fucking huge) amount of deliberation went into picking the hottest female characters. Which girls have I found hot in the past? Do I still find them hot? How hot are they in comparison to my number one choice (the only one I was already sure of)? It actually helps that I’m doing this post after having majorly taken a step back from anime watching, because I can’t go on what I’ve watched recently, nor specific hot scenes that could cloud my judgement. I have to instead consider the character in a sort of void space—in my purest idea of them—and decide how much I want my dick in that.
Anyway here’s the three hottest female characters animated in the past five years.
I promise I’m not going to blog this whole show (nor, apparently, anything at all), but here’s some thoughts that might’ve been tweets if I felt like typing that many tweets.
1. I see people bringing up the lack of Karen for the most part, despite this being the Karen Bee book adaptation. I think the titles beyond the original Bakemonogatari arc titles are largely meaningless. Kabukimonogatari, for instance, is the “Mayoi Jiang Shi” arc, and Mayoi never appears in it at all.
2. I haven’t read the novels, but I think it’s interesting to look at the times that they came out. The original two Bakemonogatari novels came out in 2006, and then Nisioisin took 2007 to write all twelve Katanagatari books. Once that was through, he came back to the other -monogatari and has been steadily releasing an asston of novels since. Unlike the original Bakemonogatari, all of the other books only contain one arc. Those arcs still always contain a character’s name, but I strongly get the feeling that this doesn’t necessarily mean the arc is all about them—though knowing Nisioisin, the arc will probably tie into their ultimate fate somehow. By the way, there are like twelve damn books in this series. Between all of the stuff being adapted right now, it only covers the first five. There’s still so much to learn!
3. God I loved this episode. It brought back the horror element of the show, the dark and strange feeling of not knowing what’s going on behind the scenes, feeling that the characters may be in genuine danger, and not knowing what to expect. I feel that Nisioisin’s specialty is setting up a feeling with his long sections of conversation and hijinks, then subverting that feeling with action and twists. What will come of all this? Right now, I feel the one who’s the most dangerous is Hanekawa and the one in most danger is Senjougahara. But it could be anything.
Predictions are meaningless, but the uneasiness is the point.
If I ever felt like a show as going to give me heart problems, I certainly felt it watching this. The -monogatari franchise still feels to me like the “old friend” that I described in my Finish or Fail post on the show two years ago, but like an old friend, our relationship has only grown in inside jokes, collective laziness to get anything done, and perversion. This has become the anime equivalent of watching porn with a friend.
A couple of years ago I posted my “top 10 unskippable EDs”—titled that way because I used to skip EDs a lot of the time. Now I don’t do that unless it’s really bad. Anyway, all the embedded videos are broken in the old post and I watched a *lot* of anime in the past two years, so here’s a new list of memorable EDs.
TO BE ON THIS LIST I had to like the ED as a whole, meaning song and video both. There are some ED songs that I liked where the video is unmemorable (think Mawaru Penguindrum’s “Dear Future”—amazing song, boring vid). Some also might be awesomely bad.
These videos are alphabetized by the shows they came from. And no, I have absolutely nothing better to do, and yes, I’m very tired right now.
Just a quick post on another funny seiyuu connection I noticed.
Kamiya Hiroshi plays the voices of Araragi Koyomi in Bakemonogatari and Orihara Izaya in Durarara!!
Throughout Bakemonogatari, Araragi’s two middle-school sisters make several appearances, though they don’t end up doing much (being major characters in the later novels).
The new Durarara!! OVA introduced Izaya’s twin younger sisters who likewise haven’t had much screentime yet, but are also major characters later in the novels.
I thought it was interesting that both Kamiya Hiroshi characters had two younger sisters. Doesn’t seem like a strong connection? In both shows, the more energetic sister is played by Kitamura Eri and wears a hooded yellow jacket, while the younger/introverted sister wears green.
I promise this isn’t just filler, it’s a question that’s been bothering me and this seemed like the best place to reach for an answer.
How does an illustrator get attached to a light novel? Do writers go to an artist before they try to get published, or do they meet artists through the publisher? Does the author pay the illustrator before publication, or do both the author and illustrator get paid by the publisher? And if the author does pay the illustrator beforehand, then does the illustrator make any money off of the publication? Is it usually a “professional” illustrator that works on a light novel, or someone the author found on pixiv and launched into stardom with the publication?
Besides my interest as a light novel fan, I’m also interested in this as a writer. I would really love to do some of my works in the style of light novels, so I want to know just how I should go about attaching an illustrator to my works.
So Ra No Wo To
Some of the most gorgeous art this side of Yoshitoshi ABe; characters who’re instantly endearing and have a natural chemistry; an engaging central narrative that pushes it one step farther than shows of its like—Sora no Woto wasn’t only great, but surprising. I loved it from the first episode, but it constantly found new ways for me to love it—for the art and animation, the impressively developed characters, engrossing world, fantastic directing, and consistently interesting episodic plots—tied together by an even-more-interesting dramatic plot. What makes Sora no Woto my favorite anime of 2010 is that there are so many aspects which I adore, and which have kept me rewatching the episodes, finding new things to say or to think about them. It’s a show that nags at the back of my mind, asking me to watch it again and find the next gem of knowledge or interpretation that’ll make me love it even more. This is the kind of show I’ll still be blogging about years down the line, and I love that, because it’s so much fun to blog.
Mahou Shoujo Lyrical Nanoha The Movie 1st
Never has the tale of a girl winning the friendship of her rival looked so god damn good! The Nanoha movie is special not just for being amazing, but for being amazing in replacement of a shitty series, and creating a magnificent springboard into the second season, which it rivals in brilliance (perhaps surpassing it by way of production quality). This film is wildly fun to watch and easily rewatchable, not to mention a perfect excuse to introduce my friends to the wonder of mahou shoujo anime. I love the genre, and Nanoha takes everything that makes it great and writes it for an adult audience without losing any of the magic. The final scene is one of the best emotional climaxes in anime, even if it was already done in the original show. What the original doesn’t have, however, is one of the best aerial dogfights I’ve seen.
Posts I did on this anime: Recommendation
The dialog and seiyuu performances in this series almost transcend anime as I know it. I can’t think of any pair of characters whose interactions are as entertaining as those that Satou Satomi and Toyosaki Aki create in Ritsu and Yui respectively. I single them out for their godliness, but that’s not to mistakenly forget that the other actors and their characters are all superb as well. Kyoto Animation continues to prove that they’re amongst the best production studios in TV anime. No other studio has the sheer attention to detail that they do, nor the general brilliance in directing. K-On is always entertaining, and at times even profoundly emotional. It has an unmistakable stage presence not unlike its own characters, which is no-doubt intentional. Add to that some excellent openings and endings, which are vitally important, because while a weak opening or ending can rarely hurt an anime, a strong one can make it all the more legendary. The only thing holding me at bay with K-On is that not every episode is equally brilliant. There are definitive god-tier episodes, great ones, a slew of average ones, and a couple of rather poor ones. The great outweighs the merely good, though, and rewatches should prove vital to the series’ strength.
Strike Witches 2
I couldn’t have prepared myself for how much awesomeness would come from season 2 of Strike Witches. I enjoyed the first series a lot, even if I never thought of it as something special, so I was expecting the same kind of laid-back enjoyment from this. Instead, I got a show that constantly kicked ass from start to finish and left me begging for more. The only thing that could’ve been better about Strike Witches 2 is that it could’ve been longer. Besides that, every episode had a crowning moment of awesome for one of its characters, and all of those characters etched their names into my heart. From a special attack that rivals the awesomeness of a super robot move to one of the most ingenious action scenes of the year, I was always impressed. Episodes flew by and made me look forward to watching them again, which I’ll be doing sooner rather than later with the uncensored blu-ray rips coming out. This is the best kind of popcorn entertainment, and something I want to show my friends.
Posts I did on this anime: Moments
As mentioned in yesterday’s moment, my relationship with Bakemonogatari over the course of 2010 was similar to my relationship with K-On. Having gone from almost dismissing the show in 2009 to finishing it and enjoying it with a wishy-washy sort of ‘almost love,’ my feelings for the series then slowly shifted.
In the wake of watching Bakemonogatari and To Aru Majutsu no Index, my love for them became superbly interconnected. To me, Bake and Index were two sides of the same coin, and I experienced fandom for both series very similarly in terms of the way I loved the characters and the way I loved certain aspects of the shows so deeply that they made me forget about the parts I didn’t care for; as well as in the way I went on obsessive doujin hunts for both. These were, I would say, the first two anime that came to be unmistakably favorites of mine for reasons that extended far beyond watching the actual anime.
My feelings toward Index became more mixed as the year progressed, mostly because of the disappointment of Railgun and being reminded of all the worst parts of the franchise in the first episodes of Index II. Meanwhile, Bakemonogatari finished its three extra episodes and they were so utterly amazing that all my wishy-washiness towards the series was blown out the window.
Having rewatched it for the sake of this post, I really think that episode 15 qualifies both as one of the best episodes of 2010 and as one of my favorite episodes of anime in general.