I don’t plan on blogging anything release-by-release, but what a pleasant surprise to see chapter twelve of Karasuma Wataru‘s Deus x Machina finally done! As the subject of my first post, this series is somewhat special to me, and I was sad to see that the scans halted just as things were getting good. In a funny twist of fate, Horobi no Michi finally released the chapter just days after a new scanslator called Riceballicious took the initiative himself. Because I saw Riceball’s scanslation first, the images in the post will be from his version.
Love can do some interesting things to people, and the first three chapters of Noguchi Takashi and Yumemakura Baku‘s Kurozuka are a great example of how someone’s face can evolve while falling in love. This post will study the gradual change in Kuromitsu’s facial expressions over the course of the first three chapters while she rapidly falls in love with Yoshitsune.
Tamaki Nozomu‘s Hakodate Youjin Buraichou Himegami (which I shall henceforth refer to as Himegami) is an impressively illustrated action story that also exceeded my expectations in terms of storytelling. The last two volumes were a thrilling climax and conclusion with a number of great moments that I’ll be getting into below.
First, I want to talk about my favorite part, which took place in the early chapters of volume 4. In this part, Hyou-chan gets overwhelmed with power and goes on a killing rampage, during which her personality changes into a far more honest and sadistic counterpart to herself. The whole bit called back to what I discussed in my last post about Hyou-chan’s facial expressions by introducing a new set of them that exemplified her change in personality.
Tamaki Nozomu‘s Hakodate Youjin Buraichou Himegami (which I shall henceforth refer to as Himegami) is a fun and well-illustrated action manga with plenty of notable moments, especially during fights. The mark of a great action manga isn’t just good-looking fights, but fights that can’t easily be found elsewhere, and Himegami has both of those qualities.
It wouldn’t do much good to go into detail about fight scenes for obvious reasons, so instead, I’ll be highlighting another great aspect of Himegami: the facial expressions of the lead-character, Hyou-chan (particularly in the first chapter).
From her first appearance up through the first combat scene, Hyou-chan remains almost completely silent. She displays a whole range of personality through facial expressions instead, most of which are the same ones she wears throughout the manga.
While doing research for my last post, I got interested in one of Tamaki Nozomu‘s other works, Hakodate Youjin Buraichou Himegami (which I shall henceforth refer to as Himegami). It’s a decent action manga with a focus on gratuitous ass shots, but one thing that caught my eye in the first chapter was this important-looking woman:
While reading up on Karasuma Wataru‘s Deus x Machina, I noticed people were comparing Machina to Mina Tepes from Tamaki Nozomu‘s Dance in the Vampire Bund – some even claimed that Machina’s design bordered on plagiarism (Bund=2007, Deus=2008). It’d been too long since I’d read any of Bund to comment on that, so I checked it out to see how they compare.
I wouldn’t consider Deus x Machina plagiarism at all. The obvious similarities between Machina and Mina Tepes are that both are lolis, often portrayed in sexually suggestive poses which involve twisting their bodies a lot; both have a sort of commanding presence (Machina especially); and most notably, they both wear long hair in twintails.