The Oonuma Shin Brand of OP/ED

Warnings for this post: there’ll be a lot of youtube embeds, and to get the point of the post, you’ll have to watch most of them. This post features some presumptuousness on my part; I’m going to say things like “this is Oonuma’s doing” or “this is Shinbo’s doing” or “you can see Shinbo’s influence on Oonuma here”—obviously, I can’t prove any of this to be true, as I’ve never met Shinbo nor Oonuma. This information is what I personally believe to be true, but you should formulate your own opinions based on the evidence.

I have a distinct mental image of Oonuma Shin and Shinbo Akiyuki as directors, and of SHAFT as a studio. Each has a definitive and irreversible influence on the others, and tracing whose original ideas are whose could very well be impossible. However, I have a lot of fun imagining all the guys at SHAFT as they come up with ideas to put into each new show. I also have a helpful device that makes this post possible—Baka to Test to Shoukanjuu, the first show that Oonuma directed away from Studio SHAFT. I already know what Shinbo is like away from the studio, so now I feel I have a pretty good sense of what each of the three parties contributes to the work they’re involved in.

Continue reading

Advertisements

Opinions vs. Absolutes in Anime Reviews

This is a carry-over discussion from my comments section on the Unrepresentative Studio Screw-ups post.

The word ‘good’ gets thrown around a lot in anime discussion, and in conjoint with various aspects of what most consider to matter in an anime. ‘Good animation’ or ‘good characters’ or ‘good directing’. Good is always taken to have an objective meaning (I won’t get too deep into that, though, since I’m sure I have too many times on this blog.) However, some of these things are totally up to opinion, while others aren’t. I’d like to explore what things should and shouldn’t be personal considerations.

Continue reading