K on! – The Ultimate Adaptation

Text version:

Continue reading

Advertisements

Rewatching FLCL (and the K-On! Movie)

I’m amazed that I’ve seen FLCL so many times that it now feels like the most clear-cut, easily-understood thing in the world. I couldn’t write about it now the way I did three years ago even if I wanted to, because back then I was just realizing and rationalizing everything; whereas now, it all feels obvious. Back then, I felt like I was explaining something in dense detail. Now, I fear I’d take too much of what I already know for granted.

It’s like I’m watching a stripped-down version of the series. I still see it as an incredibly dense show with meaning in every moment; but without the mystery to untangle, I can look at each moment and think about what they mean to me directly, instead of what meaning I need to find in them.

One of the great things about seeing this in FLCL is that I’ve watched it more times than any other show. Besides Cowboy Bebop, there’s no show which I’ve loved for a longer time (meaning from a younger age). When I was thirteen, Ninamori made about as much sense to me as real girls my age did. Now, I see the meaning behind every piece of dialog and facial expression that she makes like it’s written in text on the screen. Even three years ago, I don’t think I completely understood Mamimi—whereas now, I just get it.

I watched the K-On movie today, which is good timing, because I’m making an effort to rewatch some of my favorite anime. What’s interesting is that I now watch K-On much in the same way that I watch FLCL. Both of them are dense shows in wholly different ways. Whereas I couldn’t always see to the full depths of FLCL’s mass, I can now see it as well as I can the depths in K-On (which are far more transparent and, if I’m being completely honest, less deep. But I don’t want that to sound as obvious as it probably does.)

Even More Awesome EDs, ~2011 Edition

More EDs! These ones missed the first list for one or more of these reasons: I forgot about them; I didn’t want to include two from the same show; I counted it as not awesome enough because I was being a lazy dick; I haven’t actually seen the anime it comes from but know the ED by reputation.

TO MAKE THIS LIST, if I can actually think of how the song or video goes, it’s got a good bet.

Continue reading

Awesome EDs, ~2011 Edition

A couple of years ago I posted my “top 10 unskippable EDs”—titled that way because I used to skip EDs a lot of the time. Now I don’t do that unless it’s really bad. Anyway, all the embedded videos are broken in the old post and I watched a *lot* of anime in the past two years, so here’s a new list of memorable EDs.

TO BE ON THIS LIST I had to like the ED as a whole, meaning song and video both. There are some ED songs that I liked where the video is unmemorable (think Mawaru Penguindrum’s “Dear Future”—amazing song, boring vid). Some also might be awesomely bad.

These videos are alphabetized by the shows they came from. And no, I have absolutely nothing better to do, and yes, I’m very tired right now.

Continue reading

Hanasaku Iroha Is Like the Evangelion of “4-Girls” Shows

Screenshots all of my favorite scenes from HanaIro, all from ep 3.

Starting with what part of Evangelion I see reflected—Eva is what comes to mind when I think of taking an established type of anime to the next level in every way. Without getting into too much of “what Evangelion is,” since not all of it serves my purposes in this comparison, what matters is that Evangelion:

1. Is an amazing-looking show.

2. Is extremely well-written and directed.

3. Presents common genre tropes better than other shows that feature them.

Continue reading