So Ra No Wo To
Some of the most gorgeous art this side of Yoshitoshi ABe; characters who’re instantly endearing and have a natural chemistry; an engaging central narrative that pushes it one step farther than shows of its like—Sora no Woto wasn’t only great, but surprising. I loved it from the first episode, but it constantly found new ways for me to love it—for the art and animation, the impressively developed characters, engrossing world, fantastic directing, and consistently interesting episodic plots—tied together by an even-more-interesting dramatic plot. What makes Sora no Woto my favorite anime of 2010 is that there are so many aspects which I adore, and which have kept me rewatching the episodes, finding new things to say or to think about them. It’s a show that nags at the back of my mind, asking me to watch it again and find the next gem of knowledge or interpretation that’ll make me love it even more. This is the kind of show I’ll still be blogging about years down the line, and I love that, because it’s so much fun to blog.
Mahou Shoujo Lyrical Nanoha The Movie 1st
Never has the tale of a girl winning the friendship of her rival looked so god damn good! The Nanoha movie is special not just for being amazing, but for being amazing in replacement of a shitty series, and creating a magnificent springboard into the second season, which it rivals in brilliance (perhaps surpassing it by way of production quality). This film is wildly fun to watch and easily rewatchable, not to mention a perfect excuse to introduce my friends to the wonder of mahou shoujo anime. I love the genre, and Nanoha takes everything that makes it great and writes it for an adult audience without losing any of the magic. The final scene is one of the best emotional climaxes in anime, even if it was already done in the original show. What the original doesn’t have, however, is one of the best aerial dogfights I’ve seen.
Posts I did on this anime: Recommendation
The dialog and seiyuu performances in this series almost transcend anime as I know it. I can’t think of any pair of characters whose interactions are as entertaining as those that Satou Satomi and Toyosaki Aki create in Ritsu and Yui respectively. I single them out for their godliness, but that’s not to mistakenly forget that the other actors and their characters are all superb as well. Kyoto Animation continues to prove that they’re amongst the best production studios in TV anime. No other studio has the sheer attention to detail that they do, nor the general brilliance in directing. K-On is always entertaining, and at times even profoundly emotional. It has an unmistakable stage presence not unlike its own characters, which is no-doubt intentional. Add to that some excellent openings and endings, which are vitally important, because while a weak opening or ending can rarely hurt an anime, a strong one can make it all the more legendary. The only thing holding me at bay with K-On is that not every episode is equally brilliant. There are definitive god-tier episodes, great ones, a slew of average ones, and a couple of rather poor ones. The great outweighs the merely good, though, and rewatches should prove vital to the series’ strength.
Strike Witches 2
I couldn’t have prepared myself for how much awesomeness would come from season 2 of Strike Witches. I enjoyed the first series a lot, even if I never thought of it as something special, so I was expecting the same kind of laid-back enjoyment from this. Instead, I got a show that constantly kicked ass from start to finish and left me begging for more. The only thing that could’ve been better about Strike Witches 2 is that it could’ve been longer. Besides that, every episode had a crowning moment of awesome for one of its characters, and all of those characters etched their names into my heart. From a special attack that rivals the awesomeness of a super robot move to one of the most ingenious action scenes of the year, I was always impressed. Episodes flew by and made me look forward to watching them again, which I’ll be doing sooner rather than later with the uncensored blu-ray rips coming out. This is the best kind of popcorn entertainment, and something I want to show my friends.
Posts I did on this anime: Moments
As I’m sure you know, I’m very passionate about karaoke (if you don’t know, please familiarize yourself with these videos~). Being as K-On!! was one of the best shows of the year and was a show about music with a number of really good opening and ending themes (even some great B-sides!), it seems like perfect karaoke material.
Or it would, were the songs not insanely difficult to sing. I pride myself on being exceptional at singing fast and complex songs—last Otakon, I did Shounen Heart, a rap song by Home Made Kazoku from Eueka Seven, almost without error (and those errors aren’t made all the time). But K-On’s music is a whole level above that.
Besides being the best anime of 2010, K-On!! is the most well-written and acted anime of all time, and is littered with countless moments of dialog that outclass almost anything else on TV. </hyperbole>
Such a strange relationship I had with this show over the course of 2010. Back when it came out (S1), I quickly found that I didn’t care for it as much as I expected to, and because I don’t like to watch shows with too much hype around them, I put off the series. I finished the first season in May and still felt strangely held at arm’s length by it. Our relationship was a lot like the one I had with Bakemonogatari, where feeling my expectations were betrayed left me disenchanted with the series, yet I liked it more as I continued, and eventually came to adore it.
In perhaps the zaniest (though strangely lowest-budget) episode of K-On!! yet, we are formally introduced to Mio’s fan club – evidently a storyline in the manga that fans have long been hoping would be adapted this season (and which, I note, was the episode that most felt like reading a 4-koma manga to me.) I think it’s pretty obvious that the fan club is a played-straight parody of diehard otaku, and KyoAni being what they are, there is perhaps no one more qualified to write about otaku.
Which is why it’s very interesting to see that this is one of the most respectful portrayals of otaku (maybe the fact that the word is never used could even be considered respectful) that I’ve seen in anime, as well as a refreshing take on the age-old plot of a famous person dealing with fans that are more or less intruding on her life.
The post title is actually a joke, I’m making fun of some people today. You see, when K-On!! began airing a while ago, the first thing that happened was people comparing it to the original show. Some people said that it was similar, but a lot of people were dissecting it and saying how it was vastly different. These kinds of differences are pointed out as being very subtle, and as a veritable connoisseur of subtlety in anime, I was intrigued by the argument. Most specifically, I was interested when 8c did a massive post about the perceived differences between K-On!! and K-On! as of… well, the first episode. Now, you may also know that I hate it when people make sweeping statements about shows after only one episode, but being as I hadn’t finished K-On! I just took their words for it for the moment. But now I’ve finished K-On! and caught up on K-On!! so here’s what I think.
I think it’s been too long. I mean, 8c wasn’t the only one talking about these differences, it was pretty wide-spread. But… this show aired a whole year ago. I can see people noticing differences, but we’re talking about really subtle differences. Don’t you think there are some things that you might have forgotten? Don’t you think there are some things that your mind might have embellished? Don’t you think that, you know, waiting a couple episodes before making statements might give you a more well-rounded view of the series?