Like episode 3, episode 4 is fairly straightforward, and this one in particular is very plot-focused so I won’t be saying quite as much about it, seeing as the plot questions raised in the episode are answered in the proceeding ones. This episode’s individual director was Masahiko Ohtsuka, who brings his own style to the table for the episode. The character designs look very different throughout, and the visual style is more dark, mysterious, and mindfuck than is usual for this show. According to Tsurumaki, Ohtsuka takes his style a lot from trippy 60s movies that have lots of strange imagery.
After I rewatched FLCL with No Name yesterday, I didn’t know how I was going to post about it. I didn’t feel like I was done with the series, and I knew I had a lot to say about it. Luckily, the DVDs have a commentary track (I’d say they may be worth buying for this alone) so I immediately watched the series again the the commentary, which was monumentally helpful and informative. I decided that in order to get out everything I want to say about this show, I will do 7 total posts including this one. The other 6 will be episodic examinations.