And Now We Talk About Studio DEEN

I started off my J.C. Staff post by declaring them a “great” studio. I can’t say that about DEEN. Whereas J.C. Staff has shows that look good even if they suck, DEEN has shows that look like shit even if they’re good. Yet, while I could jump to the conclusion that this makes them a failure as a studio (in cases of adaptions, what good does it do if you don’t supply the most important thing—animation!?), the truth is that DEEN has a lot of good shows, regardless of their failings in animation. The studio even has a number of things going for it that only through watching a lot of their shows would you start to realize are definitive trademarks.

Some of those good points are as follows:

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Fun With Animation Speculation

I love learning about the hands which create anime. I know a lot of names of directors, seiyuu, character designers, etc., but there are some staff positions that are harder to nail down. For instance, it’s usually hard to determine the significance of individual writers, storyboarders, or animators working on a show, especially when their catalog covers a wide spectrum of genre or quality. Sometimes, the only real way to get a handle on who does what is to find out as many specifics of their work as possible and watch them all.

Tonight, my co-blogger(*cough*) Thoughtcannon came to me with a clip that he’d cut from Dragon Crisis episode 6. It’s a brief fight scene with animation he found familiar, and he wondered if I might know the animator.

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